I will try to write in different ways and from different
perspectives. I will write about
different topics. I’ve decided to not be
too overt about politics, so only rarely will there be a piece that could be
seen as political “punditry.”
I’ll also try to pull themes through my writing. Two themes are common for me. One is paradox – I love paradox. The 1st blog about flipping the
racial script embraces paradox because what I am saying is that it is time for
white people to have less conversation about race across racial groups and more
conversation within our own racial group.
That seems counter-intuitive at a time when we are supposed to be
connecting more across our differences.
Yet, I think we can’t connect across a difference until we understand who
we are, more fully. And that is the
paradox.
The second common theme is about presence. I’ve been writing a lot about being present,
all of it from my own journey towards more authenticity and presence. I will share more of this soon. This theme, like the first, will pop up in
direct and indirect ways. You will see
it in today’s blog entry( below) as I share a short essay and a poem. These are shorter and easier to read perhaps
that my 1st blog. My cousin
told me I needed to write shorter pieces, so I am listening to her (at least
this week).
Neuroplasticity of the Spirit
MG
April 25, 2019
Neuroscientists tell us that we establish neural pathways in
our brain, associating and connecting one thing with another. It helps us to make sense of complicated and
overwhelming sensory input. These neural
pathways are functional shortcuts. They
deepen over time, and pull us into them as we continually reinforce them. While functional in some ways, this reinforcement
can also keep us limited or even stuck.
Fortunately, because of neuroplasticity, we more clearly understand that
we can be choiceful in how we keep, change, or establish new pathways. Our neuroplasticity continues for most of our
life.
I was once told to see myself as a part of everything, not
an observer but a participant. My spirit
knows this is true, because it is always a participant. Just sitting on the porch on this fine spring
morning looking at the green field, trees about to leaf, cool breeze overcome
by warm sun, I am not just watching. I
am in the scene, and my presence is as important as the stones lining the path
from this porch, the geese honking as they fly by, and the bright white birch
meeting my stare.
If I can see how everything is connected, then I can see how
pathways form. Looking into the field I
can see a path into the woods. This path
has been a walking path for at least several decades. Sometimes, like the pathways in my life, it
is easy to see; sometimes though, it is hidden as light changes, the grass
grows, or a fresh snowfall covers it.
That path, and my paths, are both a history and a guide. I am pulled down a usual walk, comfortable
and automatic. It rewards me with its
familiar view. It also limits me as I
don’t think of another path into the woods, and all that could open up. Why even would I when such a familiar and
proven path exists? The path makes sense
and it fits the scene, just like my own mental pathways, evident in my life,
fit my scene. Our pathways are
self-fulfilling prophecies, like how my grassy path into the woods is
maintained by human steps, enhanced by mowing, and fed by the collection of
moisture in the depression.
My spirit sees my whole scene. It sees my well-worn pathways. It sees how everything relates, and where the
paths lead. It sees how my body’s
sensations can spark a cascade of thoughts and unacknowledged emotions. It sees how those emotions affect the body,
creating physical sensations. It sees
how thoughts interact with my emotions.
It sees how the repeated and circular interaction of all the parts of me
slowly dig out pathways that are both neurological and psychological. Fortunately my spirit serves not just as a
historian but also a guide, because my spirit knows paths not yet taken.
If I let it, my spirit slows me down. It provides a holistic view of the scene and a deconstruction of the elements, like how when a stream slows the sediment settles to the bottom, the branches and leaves gather themselves, eddies form, and new pathways emerge. When I let my green path into the woods grow out, when I walk at the edges, or when I simply go in another direction, the field looks different and other options are revealed.
This is timeless. I
can always slow down, pay attention, let things settle. Like that stream, I can realign myself, flow
more freely, and move towards new destinations. New pathways can emerge and even deepen in
their own right. Call it spiritual
plasticity.
Pandemic and Presence
MG
March 30, 2020
I slow down.
not willingly,
but gradually.
The distractions still flash, and pull my attention,
like how stars bring us light long after they die.
A life filled with distraction goes quickly.
A day filled with unconsciousness can go faster.
How ironic.
But if I embrace the nothingness with consciousness, time
slows,
each moment more fully lived.
The extraneous shutting down
like a body dying
with the energy going to the core,
to what is essential.
What is dying is the mundane.
Layers melting away,
less and less
until less is more.
In the end we only grapple with our self.
But now,
for the many who will come back,
what will we have learned?
How will we be different?
Will our vision have changed, will we see ourselves more clearly,
will we see each other more fully?
When we slow down can we change faster?
Reading a verse, over and over,
looking out a window with interest and curiosity,
I listen for the sake of listening.
Sitting with pen and page I ask for guidance,
in my raw presence,
willing to be lead by spirit and soul.
I slow down,
not gradually,
but willingly.
Hey Markey. I love your poem. I love you. I have not slowed down as much as I think I would like, it is very hard for me and I am so easily distracted by all stimulus. Patty
ReplyDeleteThanks Patty! You might have to create stimulus free times and zones. Are you practicing Shabbat?
ReplyDelete